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Tanseek Modern
24 March 2010, by George KandalaftFamily pack (one license only): £480.00 Designers: Boutros Fonts / Dave Farey, Arlette Boutros, Richard Dawson, Mourad Boutros The Tanseek family was first conceived as an Arabic style of four weights. The next stage was the development of a companion Latin family of fonts, to be visually compatible with the Arabic style, which previously had never been attempted, let alone successfully achieved. The already critically acclaimed Tanseek font family is now complete with launch of the (…) -
Boutros Almond
16 October 2016Family Pack (one license only): £400.00 Designer: Boutros Fonts / Soulaf Khalifeh The objective behind Boutros Almond was to create a geometric typeface with humanistic features suitable for body text setting. Designed with minimal stroke contrast, letters carried the influence of the Naskh style of writing but applied to a modular structure. With large counters, the spacing between letters has been adjusted to create a consistent and even rhythm, enhancing the typeface’s readability at (…) -
Boutros MarcoPolo
16 October 2016, by George KandalaftFamily Pack (one license only): £380.00 Designers: Latin - Eva Masoura; Arabic: BoutrosFonts \ Arlette Boutros The Boutros MarcoPolo range of bilingual typefaces is a modern sans serif collection designed for maximum legibility. The design objective was for the Arabic and Latin to work in harmony with each other in terms of style, weight and legibility and this has been successfully achieved. The space between the characters has been slightly condensed making the new typeface (…) -
Tanseek Traditional
24 March 2010, by George KandalaftFamily pack (one license only): £320.00 Designers: Boutros Fonts / Dave Farey, Arlette Boutros, Richard Dawson, Mourad Boutros Tanseek is a modern bilingual typeface designed by two professional groups, each expert in their own field. The Tanseek family was first conceived as an Arabic style of four weights. The next stage was the development of a companion Latin family of fonts, to be visually compatible with the Arabic style, which previously had never been attempted, let alone (…)